The Audition is the Work.

auditionface

Dear Readers,

This month has been a very exciting one, professionally. I went back to work after being on leave for 3 months. It is definitely an adjustment, AND I am delighted to find I still really love my job and the people I work with every day. I also have a fabulous partner in my husband who understands how much I love to act and knows it takes time for me to prepare to audition, and gives me that time and space to pursue my craft.
Many times, I have talked about being an artist and how being rejected SUCKS OUT LOUD.

This is not that kind of post.

 

As I write this, I have not only auditioned well (drum roll, please!)….I have gotten called back for both!!!!!!!!! Yes, you read that correctly. Let me say it again, I have two callbacks!! (mini wave and celebration of ME)

I am going to pause right now and reread that sentence because it’s so wonderful to be able to write it.

I really hesitated to post this, thinking maybe I should not be so excited about it or let myself get excited.. or better yet, pretend that I don’t care that much or that it happens all the time. My first rule in writing this blog (which requires me to be honest even when it hurts or is scary), prevents me doing that.  I am honestly so excited right now and that bears sharing. This is awesome and deserves celebration.

How did this amazing thing happen? Well, I made a decision after taking my Meissner class in 2014 that from now on, I will only audition for things that inspire me and challenge me. This promise to myself, became even more important after I had my daughter, because as you might imagine, time is even more valuable so it requires that it be something extraordinary to pull me away. Through all this, I kept looking for projects that got me excited, and didn’t audition for everything that came my way.

It’s worth noting, that along the path of these all too real rejections, I have been lucky enough to get real and valuable feedback, one director telling me, “whatever you are doing, keep it up” which was and is, very encouraging! It’s definitely not as good as, “you got the part!” AND it’s something that’s kept me moving with my head up despite a lot more no than yes.

I have to say, It’s quite the heady rush. I wanted to write this before the result to capture the euphoria I am feeling before the results are in for this particular event.

No matter what the result, this is a MAJOR validation of my legitimacy as an artist and my path that I am walking and encouragement to keep auditioning.

This passion for “treading the boards” is warranted and I am right where I need to be.
“It’s the work of the actor to audition, getting the role is gravy” said by Richard Robichaux in my Meissner class two years ago. I admit saying this when rejected can feel a bit like a consolation prize, AND today I get it. I really did approach both callbacks like, “I get to play both these parts RIGHT NOW and I am having time of my life!”
I feel energized and excited at the possibilities of the gaining of both these parts while realistically knowing, it’s likely I will get offered one, and maybe none, but certainly not both.
For those who don’t audition, liken it to that time when you interview (we all interview for jobs, right?) for more than one job and you nail it and find yourself with two offers.
That’s when you have the truly wonderful dilemma of which to choose. It’s a great place to be and I hope that in writing all this down RIGHT NOW, I remember this the next time I am rejected for a part I really want.

Remembering always, that it is a lot more “no” than”yes” when putting yourself out there as an artist.
Thank you, Richard Robichaux for teaching me to value my work and my craft every day, every line, every audition, no matter the result.

Yes, I am an artist.

Think About It.

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